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The Social History of Smoking

George Latimer Apperson

Chapter 12:

Women do not nowadays shun the smell of smoke as they did in early Victorian days, as if it were the most dreadful of odours. They are tolerant of smoking in their presence, in public places, in restaurants—in fact, wherever men and women congregate—to a degree that would have horrified extremely their mothers and grandmothers. It is only within the last few years that visits to music-halls and theatres of varieties have been socially possible to ladies. Men go largely because they can smoke during the performance; women go largely because they have ceased to consider tobacco-smoke as a thing to be rigidly avoided, and therefore have no hesitation in accompanying their menfolk.

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The Social History of Smoking

George Latimer Apperson

Chapter 15:

The "Tobacco Roll," either alone or in various combinations, was one of the commonest of early tobacconists' signs, and was in constant use for a couple of centuries. It may still be occasionally seen at the present time in the form of the "twist" with alternate brown or black and yellow coils, which up to quite a recent date was a tolerably frequent adornment of tobacconists' shops, but is now rare. This roll represented what was called spun or twist tobacco. Dekker, in James I's time, speaks of roll tobacco. The youngster who mimics the stage-gallants in Jonson's "Cynthia's Revels" as described in Chapter II (ante; page 31), says that he has "three sorts of tobacco in his pocket," which probably means that it was customary to mix for smoking purposes tobacco of the three usual kinds-roll (or pudding), leaf and cane. One would have thought that a representation of the tobacco plant itself would have been a more natural and comprehensive sign than one particular preparation of the herb, yet representations of the plant were rare, while those of the compressed tobacco known as pudding or roll in the form of a "Tobacco Roll," as described above, were very frequently used as signs.

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